Known as the chip in of analytic psychology, Carl Jung revolutionized the way the ground facial expressioned at the human head word through the creation of the archetype, the bodied unconscious(p), and the somebodyality (introverted and extroverted) (Wikipedia.org). Jung created whatever of the best known mental concepts much(prenominal) the archetypes of the conscious and unconscious mind. Jim Thompsons The slayer within Me (1952) and Chester Himes A Rage in Harlem (1989) are two industrial plant of literature that explore these archetypes. In station to thrive in society, as presented in Thompsons and Himes novels, characters (such as Lou and Imabelle) are forced to adapt and change in order to achieve their goals. Thus, I argue that prototypic opening is a useful instrument to analyze the evolution of twain Lou and Jacksons brainiac in The Killer inner Me (1952) and A Rage in Harlem (1989).In particular I look at the ego, persona, and shadow in Thompsons and H imes novels.\nFirstly, in archetypal theory, the ego looks at how characters fancy themselves, what they find important (or unimportant), and whether or not they share these thoughts with others. As C.G Jung mentions, the ego is a merchandise of the consciousness (1973:7). This suggests that the above decisions are made consciously and not, perhaps, as the result of passive enculturation due to external influences such as religion or the mass media. It is important to visor that the ego interacts closely with its counterparts the id (ones desires and impulsive needs) and super-ego (ones congeneric to reality) by acting as a mediator between the two. Thus, the ego is created from a compromise between a persons individual desires and the sovereign social norms of society (or a specific environment).\nAs depict in Thompsons The Killer Inside Me (1952), individuals in capitalist societies (such as Lou) demonstrate how the ids desires can be carry out without fear of repercussion ... If you want to snuff it a full essay, order it on our website:
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